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14 oz. vinyl banner material. Double metal grommets every 2 feet. Cut vinyl installed on white, black, red, blue, yellow or green banner. 22″, 34″ or 46″ high by whatever length you need! Contact us for pricing or call 336-372-3002.
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We were recently lucky enough to purchase an original, unbound set of Harper’s Pictorial History of the Civil War by Alfred H. Guernsey and Henry M. Alden published by Star Publishing Co. in Chicago in 1866.
The books are filled with engravings of wartime photography and drawings that were made, mostly, while the war still raged. Much like today’s news, the articles were written during the conflict, so information was sometimes incorrect and wrong results may have been reported by those who were too close to the war.
Winfield Scott, scanned from a original 1866 copy of the set, Harper’s Pictorial History of the Civil War by Imaging Specialists.
While this immediacy might lead a reporter to draw the wrong conclusions, it is the very thing to make the photographer or the artist draw the correct ones- the closer the graphic artist is to the conflict, the clearer he can depict it and we can see it. People dedicated to the graphic arts have left us a very good lens with which to look back in time, insulated as we are from the conflict by time and the well-meaning commentary of generations of historians.
The images we are left with allow us to see, for ourselves, into the eyes of our ancestors, more clearly than any previous process and certainly further back in time than any others have been able to see. With the invention of photography, we are the first in history to see the clear face of someone born 200 years before us.
Consider the skill, the care and the time invested in these images, that have lasted a century and a half and were amazingly close to the subjects depicted.
But, as we sometimes like to think in terms of degrees of separation, consider: The engravings in these books were printed on paper (1) from from a craftsman’s engraved plates (2) that were made from a photographic print (3) made from a glass negative (4) that recorded light bounced off a subject and through a lens. Or they were made from a drawing by an artist, presumably on site (3).
Mathew Brady’s photo of Winfield Scott was copied often by different artists. That the original is out of focus, probably accounts for minor differences in facial expression in each version. So, even among skilled artists, there are variations.
William Hennessy’s work for the Harper’s image, above, makes the General look a little more grizzled and rough than the photograph he worked from (below). Other artists depict a softer expression.
Winfield Scott by Mathew Brady. Original at the United States Library of Congress.
Even photography isn’t immune to the artist’s sympathies. Contrast, levels, curves, sharpening, cropping etc. are all adjustable and adjusted by everyone along the workflow from original to final printed piece or digital image, whatever the media.
Even if we ignore the idea of bias, two different shops can produce very different results. An internet search of any well known image will prove that even in the IT age, opinions, agendas, sympathies and levels of ability affect results.
These books are perfect for our use since they came to us as they were originally sold- as unbound signatures, so we can easily scan them. (Original customers could have the 32-page signatures casebound after they collected the entire set.) The quality of the printing is excellent and they are folio sized at approximately 11.375″ x 16.375″.
We’re happy to share this scan with a Creative Commons Attribution 3.0 Unported License – you can use it in any project for any purpose. Please include attribution of “Scan courtesy Imaging Specialists, Inc., Sparta, NC.”
Hand painted mural in the entryway of the VFW Museum in Sparta, North Carolina.
The Bruce Wayne Osborne Post 7034 Veterans of Foreign Wars has been hard at work, for the last several months, on a military history museum. And they’ve enlisted the help of Imaging Specialists to finish the main entryway. Sparta businesswoman and Gulf War veteran, Kathy Murphy, has created a beautiful mural above the stairs to the Museum located in the lower level of the VFW’s building located at 1193 US21 (Main Street, just out of town) in Sparta.
We were able to help by laying out, cutting and installing removable vinyl lettering beneath the mural. The text is taken from the St. Crispen’s Day speech in Shakespeare’s Henry V and fits into the patriotic theme of the museum.
Thank you Kathy for your hours of work and to all you folks for your years of service on our behalf.
And that’s just the entrance. The group has pitched in to assemble a first rate collection of militaria divided into the four main branches of service, Army, Navy, Air Force and Marine Corps. The collection seems to grow daily and includes videos and literature for research.
If you’ve not yet been to the museum, plan a trip. Imaging Specialists is proud to have played a small part in this project to honor our veterans.
While researching online for our upcoming book, Four Brothers in Gray, we’ve found a few things we weren’t looking for. ISI is reprinting the book with permission from Wilkes Community College (who has copyrights to the 1975 work by Mary Alice Hancock.)
In it, Miss Hancock tells about the Proffit family of Wilkes County, North Carolina, and the four sons of William and Mary Proffit that left home to fight for the South in the Great Rebellion. She uses the boys’ own words- excerpts taken from over 100 letters sent home to Lewis Fork by the boys and their cousins to trace their paths through the war.
The oldest, Andrew J. Profit, was captured twice by the Union: first at Chancellorsville and released, then at Spotsylvania, where this time, he was sent to Pt. Lookout, a Northern prison in Maryland on the Chesapeake Bay.
At Chancellorsville, he was officially- and erroneously- listed by Colonel John Barry as killed in action while bearing the flag of the 18th NC Infantry. But Andy was, in fact, captured and later wrote in a letter to his father, “the Yanks… took us to Washington and kept us about 13 days… treated us with great respect, give us plenty to eat…”
The flag he was captured with is now on display at the NC Museum of History.
The 18th NC Infantry Regiment flag captured by Union forces at the Battle of Chancellorsville and now on display at the North Carolina Museum of History
We also found a discussion board at Authentic Campaigner Website & Forums, discussing the NYHS image here, and whether the men were actually taking an oath or possibly just, as someone named froghunter suggested, at a “conclusion of Sunday school class with a hand holding prayer. They could be Methodists.”
Poster yeoman stated the image was also printed in The Photographic History of the Civil War: in ten volumes (1911), Volume 3 and that a low res version of the book is available online, here where the caption states, The Last Confederate Prisoners Take the Oath at Pt. Lookout.
Todd Watts said they couldn’t have been the last group, as the book says the photo was taken in, “late April” and he has, “a copy of my ancestor’s oath of allegiance taken at Point Lookout in June, 1865. So this particular group, if photographed in April is not the final group to take the oath there.”
NYHS and the Library of Congress say June 30 and the 1911 book says late April. yeoman finally replies, “As far as being free from factual error… horseshoes and hand grenades.”
We agree. Accounts from that time don’t always match up. Even from eyewitnesses like Colonel Barry and Andrew Proffit.
But, we think they are, in fact, the last group from Pt. Lookout.
Image at New-York Historical SocietyImage from Photographic History of the Civil War (From a double page spread)
Look closely at the two photos: same men, same time, same poses, down to the folds of their clothes- Except for behind the judge’s bench. In the book, there are two men standing behind the bench and in the NYHS image, there’s only one. Two different shots. Someone stood up (or sat down) but nobody else moved. They didn’t as much as shift their weight or change their stance. Big deal?
In those days, two shots that close together in time, was a big deal- possibly requiring two cameras with two photographers or more probably one, really fast photographer wanting to get an important shot.
A shot like the last group to leave the prison.
Imaging Specialists reproduced a set of A Photographic History… in the 1990’s for a leather-bound edition by a national publisher. We dismantled two sets of original 1911 books acquired from a library in Minnesota and shot the actual pages on our cameras, so we have a little history with this historical title.
We hope to include at least one version of the Point Lookout event in this very interesting book, Four Brothers in Gray.
Imaging Specialists is working with the Alleghany Historical – Genealogical Society on its award-winning series, Alleghany Memories. The series won a Paul Green Multimedia Award for the premier episode that featured Pauline Jolly and Mildred Torney- both former county librarians.
The current episode features an interview with Bobby Irwin, Vietnam-era Marine combat photographer and videographer, and was produced in conjunction with the Walter Frank Osborne, Jr. Deatachment 1298 Marine Corps League from Sparta, North Carolina.
ISI produced titles and a short slide show of Mr. Irwin’s images that airs at the end of the episode. The episode is available for viewing, online, at actv.me, Alleghany Community Television’s new streaming site.
The program is the first of four produced with the Marine Corps League and is hosted by current Commandant, John Irwin. Subsequent episodes will feature interviews of J.T. Pardue, Bill Sebastian and Charles Pugh- all members of the local detachment.
ISI is proud to be able to have a part in this interesting and historic series.
